The show is nearly indescribable, but luckily (and unsurprisingly) Natasha Lyonne’s performance as Nadia is easy to pin down: brilliant. Her character is a clear narcissist, yet who can worry about judging her in the flurry of hyper sexual, hyper violent, ultra-fem anti-hero swing-for-the-fences nonsense that makes up the bulk of this brilliant show? Don’t try to parse that last sentence and don’t try to parse the show either – just watch and enjoy.